Film Review | The Nightingale (2019)

the nightingale aisling francoisi sam claflin jennifer kent review alex moreland

Kent lingers on the violence, lingers on assault, lingers on the casual, visceral nature of this world; the camera holds its gaze far longer than one can bear, deliberately unsettling audiences and challenging them not to look away. Indeed, The Nightingale is designed for the cinema experience – being able to look away from the laptop screen and check Twitter defeats the point of Kent’s unrelenting direction, however necessary it might sometimes feel.

Here’s my review of The Nightingale, accompanying my recent interview with its two lead actors.

It’s an interesting film, The Nightingale – as I remark in the review, it’s a movie that’s far easier to respect than to like. There’s a lot about it that’s hugely, hugely impressive: not just Jennifer Kent’s direction, but also the performances of Aisling Francoisi and Sam Claflin. (And indeed of Baykali Ganambarr – I’m a little annoyed with myself I didn’t find the space to mention to his performance in the review itself, it’s quite a notable omission.)

I wasn’t especially fond of it when I first watched it; my appreciation of it has grown since then, though, the more I’ve thought about it. It’s definitely a film that benefits from deeper thought and consideration – certainly, had I reviewed it closer to when I watched the film, I’d have likely written about it more critically than I ultimately did. Admittedly I’m not super pleased with the review itself: I think perhaps I could’ve done a stronger piece of writing about the film than I actually did, particularly in the second half of the review.

Still, though. Pretty pleased with that segment I quoted above. Good set of sentences, that.

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Aisling Francoisi and Sam Claflin on The Nightingale

sam claflin aisling francoisi the nightingale interview jennifer kent alex moreland

You should never see a scene of – well, any kind of violence, but in this case, sexual violence and not be made to feel uncomfortable. In my opinion, it’s filmed wrong if you don’t feel repulsed by it – there’s something wrong in the way that it’s been depicted.

This is a very exciting one! First-ever video interview. Not that you can actually see me in it, mind – I’m rather more suited to a radio career than television – but I was in the room, and they were filmed, so it counts. And it was a pretty cool experience generally, so that’s good.

I’ve linked directly to the YouTube video above, but there’s also a little bit of a write-up over at Flickering Myth, if you’re interested in that as well. It’s a good interview, I think – we only had a relatively short time together, but still managed to get to the heart of what’s proving to be quite a challenging film. (I’ll have my own review of The Nightingale up in a few days – it’s certainly quite a striking film, if nothing else.)

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