Weekly Watchlist #7 (14th Oct – 20th Oct)

weekly watchlist 7 the good place tahani jameela jamil rebecca front thick of it succession kendall headphones

Haven’t picked up anything new yet this week. Been a while. Recommendations always appreciated!

Motherland (BBC Two)

An improvement this week, if only a little one, because last week’s new character was sidelined a bit. (It is… a shame that this character is played by the only WOC in the cast. The actress is great, but the character is really, really misconceived. Do intentionally irritating side-characters ever work?) Even then, anyway, the episode was a bit of a disappointment. Ah well.

Riverdale (The CW, Netflix)

It’s absolutely ridiculous, but that’s why I love it. Frankly I’d be disappointed if it ever tried to be grounded again – I watch this for nonsense like Veronica making reporters watch her sing and dance before giving a press conference, or Jughead having a classmate called ‘Bret Weston Wallis’. It is nonsense! And, therefore, often the highlight of my week.

Succession (HBO, Sky Atlantic)

Undoubtedly, it’s going to make my top ten for 2019 – how could it not? – but, as I’ve noted a few times over the past few weeks, I think it’s harmed by the fact it never quite followed up on the ending of episode 5 as much as it could have. Or, I suppose, maybe it’s more accurate to say ‘as much as I would’ve liked’. Given how important the relationship between Shiv and Kendall was to this episode, though, it definitely feels as though the ball was dropped, at least a little bit.

Still! That ending. Can’t wait for next year.

Superstore (NBC)

It’s still a little frustrating, and still feels like a weak cover of earlier years, but it’s starting to find the groove again. Thankfully!

The Good Place (NBC, Netflix)

So, here’s the other thing that bothers me about The Good Place: the mind-wipes. It’s never quite sat with me – especially in a show that purports to be a character-driven show – how easily and how willingly The Good Place quite literally resets its characters. There’s only ever been a partial restoration of memories once, so it’s not like these memories are going to be restored – I don’t understand how losing those memories isn’t essentially like a death?

That feels like a hugely important thing for a show that’s meant to be about its characters to grapple with – certainly I had a bit of trouble caring about any of them again at the start of series 2, as it became clear that all the development they underwent the year before was being undone – but especially so for a show that’s so heavily concerned with philosophy. How is that not something they’d get into – all these questions about selfhood and identity and what constitutes the fundamental essence of a person? It’s a strange device to use in such a throwaway fashion, and I’m increasingly realising I’ll never quite get a satisfactory answer on that.

The Thick of It (BBC Two, Netflix)

Very nearly caught up on this, just coming to the end of the third season. Really like Rebecca Front as Nicola Murray, quite a breath of fresh air for the show. Curious to see how they handle the coalition years in the next series too.

Quite a few things I’ve missed this week – fallen behind on Defending the Guilty, which is a bit of a shame. I’ll have to get back on top of that soon.

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Weekly Watchlist #6 (7th Oct – 13th Oct)

Still trying to work out a format for this that actually works, given that I’m not sure I have a lot worth saying about all the things I’m watching. Getting there, though.

House of Games (BBC Two)

I really, really like quiz shows, and this is fun enough and slightly offbeat enough to be worth tuning into regularly.

Motherland (BBC Two)

Hugely disappointed by this, I’ve got to admit – this, I think, made my best of 2017 list, so I was really looking forward to its return. Which was hugely underwhelming in the end! The issue I think was because so much of this episode was dedicated to a new, fairly one-note character, the entire episode structured around one fairly limited joke (“look, the mothers have to take care of this other mother, who is acting like a teenager”). Bit of a shame, that.

Riverdale (The CW, Netflix)

Genuinely moving, in a way I didn’t think of Riverdale ever could be.

Succession (HBO, Sky Atlantic)

I’ll miss this a lot when it ends for the year – admittedly I do think it’s faltered ever so slightly since those near-perfect opening episodes, but frankly Succession at 80% is better than a lot of shows at 100%.

Superstore (NBC)

Something of an improvement this week, but mainly I was just trying to work out where I recognised the actress playing Colleen from. (The answer, I’m fairly sure, is SNL. Or more likely Veep, since I don’t even really watch SNL.)

The Chase (ITV)

I watch this every day, more or less – even on the weekends, when it’s not actually on properly, I’ll tend to watch a syndicated repeat. I would hate to know how many hours of my life I’ve spent watching The Chase, to be honest. And how little I’ve actually learned from it! But I’m definitely getting better at it. Eventually, I will go on The Chase, I will take the higher offer, be caught within two questions, and never watch it again.

Which would be one way to break a habit, I suppose.

The Circle (Channel 4)

Still gradually working my way through The Circle, albeit fairly behind the actual broadcast schedule – six episodes a week is frankly too much of anything. It remains unexpectedly compelling, though; it’s the first reality show of its ilk that I’ve been genuinely into enough to actually want to watch six episodes of a week. (Or, well, try to anyway.)

The Good Place (NBC, Netflix)

This episode wound me up a bit, admittedly. I’ve always gone back and forth on Tahani, whether I find her charming or irritating; I’m increasingly starting to think, though, that while Tahani is still this cartoonishly bourgeoisie character, The Good Place is never quite going to make “there’s no ethical consumption under capitalism” land as its central thesis. (Assuming that remains its central thesis, admittedly.)

The character needs to develop beyond the initial archetype – I’m not saying there isn’t some depth to her (well, I’m not saying that at the moment, anyway), but while The Good Place still sticks to that initial joke, I’m not sure it’ll ever quite be what it seems to want to be.

You can look at other Weekly Watchlists here. If you liked this article and you want to support what I do, you can leave a tip over on ko-fi, or back my Patreon here.

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