Sophie Rundle on Rose: A Love Story, the final series of Peaky Blinders, and more

rose a love story sophie rundle interview matt stokoe peaky blinders gentleman jack jamestown

“Matt [Stokoe, Rundle’s partner] wrote it, just for the exercise of writing and wanting to explore that genre,” she continues. “He very flippantly said ‘oh, do you want to be in it?’ And I was like, ‘Oh, yeah, sure,’ thinking, ‘Oh god. I hope it’s good!’”

“But then when he sent it to me, I just loved it. It’s such a clever take on a genre and a style that we’re so familiar with, the vampire story – you sort of think ‘well, I don’t know how you could put a fresh spin on that’, but then when I read his script, I just thought it was so smart.”

“It was so clever to frame it as this couple, one of them dealing with this life changing illness that’s all consuming. I hadn’t thought about that before, and I thought it was so tenderly drawn and it was such a beautiful musing on a relationship and what the burden of illness can do to a couple. I just loved it. So, he sent it to me and then I said, ‘Well, no, actually I’d really like to be in it’”

New interview! Spoke to Sophie Rundle about her new film Rose: A Love Story, coming to the end of her time on Peaky Blinders, and what she’s going to do next. This is another one for the Radio Times’ The Big RT Interview series, so that’s pretty neat too.

This is actually the second time I’ve interviewed Sophie (making her the first person I’ve interviewed more than once!) – the first was a couple of years ago now, about her Sky One historical drama Jamestown. Always really nice to speak to her, very thoughtful interviewee both times.

You can find more of my interviews here, and follow me on twitter @morelandwriter. If you enjoyed reading this piece – or if you didn’t – perhaps consider leaving a tip on ko-fi?

Sophie Rundle, Stuart Martin, Steven Waddington and Luke Roskell on Jamestown series 2, power dynamics, and more

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There’s the political stage, but the domestic front as well, and everyone trying to survive isn’t it? I think when you go to create a new world and you have a new microcosm of society it becomes very clear what people’s greatest desires are – and you see very quickly the people that want power, and want authority, and want prestige. And some people just want a peaceful simple life, and I think that’s what this is: a study of human nature, and what different people are craving, and what lengths they’ll go to, to get and protect what they want.

Here’s the first of my two Jamestown interviews, both of which are very special to me – they’re the first interviews I did in public! This set specifically, actually, is the first of the two I did, so the other was a little easier in that regard.

I was very lucky, and very appreciative, that those first in-person interviews were with people who were as lovely as Sophie, Stuart, Steven and Luke (sure, we can be on a first name basis, why not) – you always hear those stories of, like, diva actors who’d kick up some fuss or another, but these guys couldn’t be further from that. Wonderfully nice and accommodating while I was doing my best to hide how utterly terrified I was.

I’d love to interview them again, actually – maybe for Jamestown series 3, come to think of it. Not because I think, like, I’d do a better job of it and want to take a second try (I probably would do better, though I do also think this is a really, really good interview), but because they were really good interviewees, and I think it’d be neat to talk to them again.

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