Weekly Watchlist #5 (30th Sept – 6th Oct)

weekly watchlist 5 phoebe waller bridge saturday night live fleabag posh malcolm tucker peter capaldi superstore the thick of it

Slightly shorter one this week!

Defending the Guilty (BBC Two)

I liked it already, of course, but when they used my favourite Wolf Alice song? That’s when I loved it.

Saturday Night Live (NBC)

I’ve never quite bought into the whole “Fleabag is too posh” line of criticism – not as much as I probably should have, anyway – but the sheer level of contempt on display in that Love Island sketch made me quite uncomfortable, actually.

(The rest of it, obviously, was predictably throwaway fare. Still, Taylor Swift was pretty good.)

Succession (HBO, Sky Atlantic)

One thing I quite enjoy about Succession is all those cutting little jokes about journalism. “Here’s ten reasons why you’re never getting paid”. Yeah. Yeah.

Superstore (NBC)

An improvement over last week, definitely, although I’m still getting the feeling that something is just a little off – which is odd, really. There’s no way, surely, that the head writer moving to more of a producer-only role should have this much of an impact – it’s a way too auteuristic model of understanding a network sitcom, of all things, and anyway his replacements have been working on the show since the start. But at the same time, something definitely feels not quite right. I wonder if maybe it’s me, and simply knowing that something has changed behind the scenes is enough to make things feel different. Hmm.

The Good Place (NBC, Netflix)

One day I’ll get it. It’s still, you know, fine – although definitely hurting itself by sidelining William Jackson Harper, who’s always been one of the best bits of the show.

The Thick of It (BBC Two, Netflix)

Been watching this in my spare time, mainly because I’ve never seen it before, and I figured it was worth catching up on just so I could understand all the references people made. It’s quite fun. Probably there is lots to be written about what it tells us about politics in hindsight, to, uh, varying levels of insight, but mostly what stood out was a throwaway line about how scandalous a Tory MP doing blackface is… in the same week that Desmond Swayne was all over the news openly boasting about having done blackface in the past.

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Weekly Watchlist #4 (23rd Sept – 29th Sept)

weekly watchlist 4 fleabag live phoebe waller bridge the politician ben platt the good place kristen bell ted danson netflix

And another one. Still working out exactly what I want these to look like, but I think they’re starting to take shape a bit better.

Defending the Guilty (BBC Two)

Again, I’m really enjoying this, particularly as it began to fill in the rest of the cast a little more this week. I think the main thing it needs to do, and do quite quickly, is make more of an effort to characterise the lead character’s girlfriend – at the moment she’s not much more than a cipher, which would be a flaw even if a lot of the drama didn’t pivot around Will Sharpe’s character’s relationships.

Fleabag Live! (National Theatre Live)

I don’t think I’ve ever been quite so conscious of how important Sian Clifford is to Fleabag until she wasn’t in it. That was my primary takeaway, anyway, and what I kept thinking throughout this not-actually-live-but-repeat-recording-of-the-live-version showing of Fleabag that I went to see this week. (The same is sort of true of Hugh Dennis too, actually, although to a much lesser extent.)

What I was also trying to work out, though, was Fleabag series 2 – I am, I think, one of the few people for which that didn’t entirely click (although I’m of the mind that I must’ve surely just missed something). It struck me that the ending of Fleabag series 2 was an almost complete refutation of the ending of series 1 – I’ll go into this properly someday I’m sure – so I was interested to see if, maybe, that was the DNA of the spikier stage show resurfacing. Not so, though; the way Fleabag’s first series adapts the stage show is obvious, and the second series remains a mystery to me.

Succession (HBO, Sky Atlantic)

If all was right in the world, Jeremy Strong would get lots and lots of awards for this. He’s sublime.

Superstore (NBC)

Superstore is an all-time favourite of mine – the cliffhanger that closed season 4 has already earned it a place on the best of 2019 list, no question. It was the sort of moment that felt like it was breaking genuinely new ground for a network sitcom, positioning Superstore as a vital, urgent piece of television, the sort of thing that genuinely earns a place in television history.

The fifth series opener threw me a little, though – I’m not sure if it was behind the scenes changes, or maybe it’s just not quite possible to live up to the weight of expectation generated by a big moment like that (I’m quite consciously trying to avoid revealing it here), but I was a tad disappointed by this. Looking forward to next week anyway, though.

The Circle (Channel 4)

This is surprisingly engrossing – it’s mostly a load of nonsense, as tends to be the case with reality TV, but there’s something about the Big Brother crossed with Catfish premise that’s becoming increasingly difficult to look away from, even before they threw Richard Madeley pretending to be a 27 year old woman into the mix.

The Good Place (Netflix)

More than anything else on television at the moment, The Good Place makes me feel slightly out of step with everyone else. I just don’t like it that much! It’s… fine. It’s nice, it’s often sweet, and sometimes I quite enjoy it. It feels friendly, and that’s neat. But by the same stroke, it’s often unbearably twee, deeply, overly saccharine, and at times it’s actually quite irritating. It’s not bad, or not bad enough to be worth some attempt at a takedown – but I do feel so, so out of step with the general critical consensus on this one, since everyone’s hailing it as the most revolutionary comedy since, well, the genre was invented it sometimes feels like.

It is very conceptually striking at times, and it’s often quite inventive – what I do find sort of notable actually is that the stretch I’ve enjoyed the most, series 3, seems to be the consensus weakest season – but for the most part I struggle to click with it. I think I just don’t find it particularly funny (I’ve always enjoyed it more when I stopped expecting it to be funny, I think), and I’m always slightly baffled when some screencap goes viral on twitter.

“Stonehenge was a sex thing”, says a CGI elephant. I mean, sure, okay.

The Politician (Netflix)

This is peak Ryan Murphy, and – I say this with genuine admiration – quite neatly filled a Riverdale-shaped hole in my heart.

Favourite show of September: Has to be Succession, really.

Best new show of September: Going to go with Defending the Guilty, actually, which I’ve been quietly impressed by.

Most looking forward to in October: Oh, it could only be Riverdale, my one true love, even now.

You can look at other Weekly Watchlists here. If you liked this article and you want to support what I do, you can leave a tip over on ko-fi, or back my Patreon here.

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