Robin Hood cast and crew on filming in Hungary, living up to the legend, and more

robin hood bbc 2006 jonas armstrong lucy griffiths keith allen dominic minghella foz allan interview production history

Even as they forged their own path, though, Armstrong found the legend difficult to live up to at first. “I had a picture in my head of what Robin Hood looked like: six foot two, muscular, all these images came to my head,” explains Armstrong. “I felt a bit underconfident, because people have an idea of what Robin Hood should look like, or I had anyway. I think I was very self-conscious about that.”

“At the table read, in the Sheriff’s Great Hall – with all the executives from the BBC and BBC Worldwide, there were over 100 people – I convinced myself I was gonna get replaced. I was that nervous! But once the cameras started rolling, and I was surrounded by my fellow cast members, and especially the stunt team as well, I felt safe.

“After the first episode some critics were quite cruel, saying physically, I didn’t look like how Robin Hood ‘should’ look like. But that’s their opinion, so excuse my language but f**k them,” says Armstrong, explaining how “in the break between series, I worked with a trainer and put on about a stone and a half of muscle. I came back looking physically different, and I felt more at ease with myself.”

Really enjoyed writing this one – it’s a similar style of article to the Primeval piece that published recently, and between them (and the as-yet-unannounced one I’m working on still) I’m really getting into this sort of production history, behind the scenes look, oral history type thing.

Obviously I’m fascinated by television and how it’s made anyway, if I wasn’t I wouldn’t be doing this, but it’s a huge amount of fun to get to interview people about their experiences on shows I used to really love. Big fan of Robin Hood, back in the day.

Credit also to A Different Kind of Hood, the fansite dedicated to this show – really stunning resource if you’re interested in learning more about the show, I used it to check a lot of different details while I was doing my research for this piece (and found the HD version of the picture above there too).

You can find more of my interviews here, and follow me on twitter @morelandwriter. If you enjoyed reading this piece – or if you didn’t – perhaps consider leaving a tip on ko-fi?

Primeval’s cast and crew on unanswered cliffhangers, Doctor Who rivalry and dinosaur co-stars

primeval behind the scenes douglas henshall tim haines adrian hodges andrew lee potts hannah spearitt itv watch britbox

“I’ve always been obsessed by dinosaurs and monsters, all that kind of stuff, since I was a boy,” said Douglas Henshall, explaining what drew him to the ITV drama, the first two series of which are available on BritBox today. “Primeval was kind of a hang-over from childhood, a way of vicariously satisfying the old childhood memories.”

The series began life at the BBC, under a very different title. “I’d made a [documentary-style series] called Walking with Dinosaursfor the BBC back in 2000,” recalled co-creator Tim Haines, previously a science journalist with a background in zoology, “and it struck me that all that technology [could be] used for a drama. Because the BBC wanted a recognisable piece of IP, we made Arthur Conan Doyle’s Lost World first. I then came up with the idea of Cutter’s Bestiary, and developed a script with another writer, which didn’t go anywhere.”

It’s at this point that Adrian Hodges – who had recently won a BAFTA for Charles II: The Power and Passion – came on board. “One day I went into [BBC Head of Drama] Laura Mackie’s office, and she asked me what I wanted to do next. She suggested Bleak House – I’d already done David Copperfield, so I said no, I don’t want to do another Dickens, thank you. I want to do something that’s fun, like Buffy the Vampire Slayer. I’d just watched all of Buffy, I thought it was a brilliant show. I wanted to do something with the same vibe, the same feel to it.”

New inteview(s)! With the first two series of Primeval on BritBox, I spoke to the cast and crew about the early years of the show – how it developed at the BBC as Cutter’s Bestiary, how Douglas Henshall leaving the show impacted their plans for the series arc, that sort of thing. (Most of the reason why I pitched this was so, almost fifteen years later, I could finally find out what the whole Claudia Brown/Jenny Lewis plotline was about.)

Quite enjoyed writing this one! It was by some distance the most logistically complicated piece I’ve ever done, in terms of co-ordinating all the different interviews – might try and write up a behind the scenes type thing one day, figure that might be an interesting thing to do.

You can find more of my interviews here, and follow me on twitter @morelandwriter. If you enjoyed reading this piece – or if you didn’t – perhaps consider leaving a tip on ko-fi?