TV shows like Arrow or The Flash have always been superpowered soap operas – and there’s nothing wrong with that

arrow the flash soap opera the cw marc guggenheim wendy mericle keeping up with the smoaks felicity oliver queen olicity

Arrow, from the beginning, was always about the personal lives of its characters. Yes, there’s the obvious angle of the love triangle between Oliver, Tommy and Laurel – but it’s not as though Oliver’s mission wasn’t deeply personally motivated, or inextricably tied to the affairs of his father. That’s demonstrably a soap opera plot, right from the beginning!

Superheroes keep secrets, living double lives, and hiding parts of themselves from those around them that they love. That can surely be considered a soap opera story, no? And surely no one would ever argue that these superhero TV programmes don’t rely on sensationalised and exaggerated plotting – lest you forget, the Flash fought a race of sentient gorillas just a few weeks ago. Besides, everyone loves a good scenery chewing villain, and that’s the epitome of melodrama.

I always thought it was pretty ridiculous when people complained that Arrow was like a soap opera – as if they’d only just noticed? So here’s a post explaning how Arrow has always been a soap opera, but there’s nothing wrong with that.

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The Flash will need to break with formula to survive

the flash dc cw grant gustin hd wallpaper clifford devoe season 5 arrowverse greg berlanti andrew kreisberg harrison wells tom cavanagh

In a way, the shows that operate alongside The Flash are becoming its greatest threat; Arrow, Supergirl and Legends of Tomorrow – and likely eventually Black Lightning – all work from fairly similar formulas to The Flash. (This was particularly evident in Supergirl season one, which mimicked the structure of The Flash season one fairly closely.) While it’s undeniable that each show executes the formula well, when four programmes are executing the same formula in the same way each week, it does start to get a little tired.

And so The Flash needs to evolve – it has to grow beyond the formula it adheres to so closely, and stop sticking to the same structure with every episode. After all, there’s surely only so many times that Barry running faster to beat someone who is also fast can be considered a satisfying payoff to a year of television, no?

A few thoughts on The Flash, and the changes it’ll need to make to continue to grow and develop and stay of a high level of quality. I am fond of the show, of course, but there’s a frustrating feeling that I’ve simply seen it all before – sometimes even four nights a week – and that needs to change. (I didn’t even begin to get into the whole “mentor is secretly evil” thing they’ve done each year!)

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