TV Review: The Flash – Enter Zoom (2×06)

The Flash Logo review analysis retrospective barry allen grant gustin greg berlanti andrew kreisberg cw

Goodbye, Flash. You, too, weren’t fast enough.

-orks, of course, because we’ve already seen this moment from the other perspective. What was earlier a clever in media res style opening is now viewed in an entirely different light; what was serious becomes farcical, contributing to the jovial, lighthearted tone that had been present throughout the whole episode. Naturally, though, it’s all set up for the final twist, the entry that punctures the episode itse-

40ish minutes earlier

So, the sixth episode of The Flash, with a fairly ominous sounding title. Enter Zoom. Zoom, of course, is our big bad for this season. I admit, I’ve had my doubts about Zoom. It seemed to me to be a little reductive to simply have another speedster bad guy after the wonderful Harrison Wells; like, say, continually pitting Oliver Queen against a series of increasingly more accurate archers. I didn’t really feel like any speedster villain could match the emotional stakes of Barry vs the Reverse Flash, so I wasn’t sure if there was any point, really. Much better to just further the development of the Rogues, say, or introduce another new villain. (Aliens seemed like a cool idea, actually.)

Regardless, though, this episode was a good one. The character arcs of all involved are furthered along, but particularly those of Barry and Harrison Wells.

Barry’s dedication to stopping Zoom was well realised, and he was given an interesting motivation to do so as well; his fear that the other Wells, Eobard Thawne, was right about him when he said he’d never be happy. The suggestion is, I suppose, that Barry is depressed in some regards, and he’s leaning into his secret life as the Flash to try and cope with it. It’s a compelling idea they’ve put forward, there, albeit one I’m not expecting them to delve into particularly deeply. Still, as subtext, it’s a nice concept, and Grant Gustin did a great job of portraying it – as an actor, I don’t think I give him enough credit for the work he does in portraying Barry Allen, because he really is fantastic at it.

Wells’ storyline revealed more about his past on Earth-2, as well as some interesting information about his daughter – when her name was revealed, I was pretty surprised, lemme tell you. It’s a great motivation to give him, which makes this Wells both distinct from and similar to his predecessor in several ways; the old Wells, after all, did come to care about Barry as though he were his own child. I’m really looking forward to seeing more of Jesse… quickly.

the flash enter zoom review joe west barry allen jesse l martin grant gustin hd westallen

The main plot of this particular episode is also actually genuinely very funny in many respects. After Dr Light from Earth-2 escapes (the one that we met in last week’s episode), Barry and the STAR Labs team end up recruiting Linda Park from ‘our’ Earth, who dated Barry last year, to pretend to be Dr Light in the hopes of fooling Zoom.

It is, as you can imagine, the sort of set up that’s ripe to develop humour with. And that’s exactly that the show does – they take the concept and they run with it (haha). You get lots of great jokes; Cisco’s cardboard cut-outs of each character are a particular delight, and it feeds into a great comic sequence where Linda is learning how to use her powers. It’s an effective bit of levity, and it’s something they do a really good job of maintaining all the way throughout the episode. It carries forward to a similarly effective reframing of the opening of the episode; the circumstances of the first fight between Dr Light and the Flash are now explained, and it’s revealed to have been Linda all along.

It works, of course, because we’ve already seen this moment from the other perspective. What was earlier a clever in media res style opening is now viewed in an entirely different light; what was serious becomes farcical, contributing to the jovial, lighthearted tone that had been present throughout the whole episode. Naturally, though, it’s all set up for the final twist, the entry that punctures the episode itself.

Enter Zoom.

the flash series 2 enter zoom hunter zolomon jay garrick teddy sears eddie thawne fight hd image

Zoom was a genuinely threatening villain. He had a real screen presence, which I don’t think any of the CW DC villains have had before; Reverse Flash, Malcolm Merlyn and Slade Wilson never had this weight attached to them. He has a power over the narrative itself; Zoom distorts the episode, pushing it off course, and changing the very genre and tone of the story. The sheer brutality of the character is juxtaposed with the lighthearted humour that’s prevailed throughout, and the whole episode shifts, the moment Zoom arrives.

Zoom wins, at the end of this episode. He fights Barry, and he beats Barry. Wipes the floor with him. But that’s not all Zoom does; he destroys the Flash, going to great lengths to humiliate him, and end the image of the hero. This is something that not even the Reverse-Flash did; Zoom has one singular goal, and in his pursuit of it, he’s brutal and sadistic and effortlessly cruel, as though in the end, it’s all just inconsequential to him.

That’s truly, really effective. Zoom is shown to be effective; in just ten minutes of this episode, he’s almost completely destroyed our hero with brutal efficiency – not just in terms of his life, but his legacy as well. The ability to not just run faster than Barry, but to control Barry’s own TV show, completely changing the tone and the feel of the episode… it marks Zoom out as a truly threatening adversary.

I was wrong, you see. Zoom is not just a cheap imitation of the Reverse Flash.

Zoom is on a whole other level.


This review was recently posted on the Yahoo UK website.


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TV Review: The Flash – The Man Who Saved Central City (2×01)

The Flash Logo review analysis retrospective barry allen grant gustin greg berlanti andrew kreisberg cw

My name is Barry Allen, and I am the fastest man alive. It’s been six months since the Singularity. I’m on my own now. Decided it’s better that way. Keeps the people I care about safe.

The Flash is back! I have been looking forward to this ever since the season finale, which was possibly one of the best episodes of TV I watched during that year. Certainly, it was the best piece of superhero related TV that I watched that year, easily trumping both Gotham and Agents of SHIELD, and subjectively more enjoyable than most of Daredevil in terms of my own personal tastes. I’ve had October 6th marked on my calendar since May. (And I’ve had the 13th October marked on my calendar since I realised that the 6th was only the US airdate.)

Essentially, then, expectations were high for this episode. Last year’s Fast Enough ended on one of those cliffhangers – you know the sort where it’s really aggravating, because you’re really into the plot, and it’s got you on the edge of your seat, and then it’s got you standing shouting at the TV screen, but you know you can’t begrudge the show that, because it’s been so brilliant, it’s really earned that cliffhanger? (No one knows what I mean? Really? Oh, well, that’s the type of cliffhanger that it was, anyway.)

Rather cleverly, I think, they chose to subvert expectations and not pick up immediately from after the cliffhanger – they shifted a little bit, moved the setting around, and we picked up 6 months later, with a well executed dream sequence. It’s not the sort of thing I’m typically very fond of, but I think it worked rather well here – the direction was quite well done, and subtly pointed to the fact that it was a dream sequence, before the appearance of Eddie and Wells really confirmed that. The slow pan around the room, and then zooming out, served to emphasis how alone Barry had made himself, and quite how empty the cortex is without the rest of the STAR Labs team joining Barry. Again, that’s down to the direction – it worked very well.


Now, admittedly, what I am not so certain of is quite how well they used this concept. I’m in two minds about it all, really – on the one hand, I’m glad that the production team have their own view of the Flash as being a relatively bright and optimistic hero, and I doubt that dwelling on Barry isolating himself would really have worked here.

But, equally, since they brought it up, I want them to have explored it, you know? We have a missing six months, which genuinely sound to have been quite interesting – I want to know about the immediate aftermath of the singularity. How did Cisco begin to work with Joe? What’s been happening to Caitlin? How did Iris cope with the death of Eddie? How did Dr. Stein and Caitlin cope, in their own different ways, with the death of Ronnie? The consequences and repercussions of the finale all seem to have been paid lip service, but essentially skipped over for a reset of the status quo.

It bothers me a little, because I feel like we maybe lost out a little bit; would it have worked better as a three episode arc, at the start of the series? An episode focused on Barry, an episode largely focused on Cisco and Joe, with episode three being where they get the band back together? It’s hard to say. That might certainly have been more effective in telling the story of those repercussions, but that doesn’t seem to be the story they’re interested in telling – the production team wants to get onto the story of the Multiverse, with Zoom and Jay Garrick.

And, you know, it is hard to begrudge them that, because I am really very excited for that story…

the flash the man who saved central city review flash day mayor keystone grant gustin gabrielle stanton ralph hemecker

Another thing that I quite liked was the concept of Flash day. It’s an interesting idea that really seems to have legs (haha), and I hope they really run with it (hahaha). It’s setting up the fact that the Flash, unlike Arrow, is a much more of a public figure – the city knows about him, and they like him, too. It’s something that I think they can do quite a lot with, so I’m looking forward to seeing where that goes.

As ever, it was nice to see all the different characters returning – Barry, Caitlin, Cisco, Iris, Joe, and Dr Stein. Lots of fun moments from the all; Cisco remains as funny as ever, and it was great to see some scenes between Joe and Iris, which was one of the things I’d been hoping to see from this series. (The full list is linked to at the bottom of the page.)

Of course, one of the most important moments of the episode was the release of Henry Allen from prison, as a result of Harrison Wells’ confession video. That was a genuinely fantastic moment, which really added to the complex nature of the relationship between Barry and Wells. (There’s a link to an analysis of that at the bottom of the page.) I’m really looking forward to seeing Tom Cavanagh return at various points throughout this series.

Henry Allen’s release and return home was rather well handled, I felt; Grant Gustin and John Wesley Shipp conveyed the emotion of it well, and it was nice to see everyone together at the welcome home party, happy and laughing. I’m not so sure about their reason to remove Henry, admittedly – I realise that they couldn’t keep JWS as a season regular, but perhaps it’d have been easier if he’d simply said that he’d rather live away from Central City, but he wants Barry to visit him as often as possible? It felt that the reason they gave was a little weak and contrived.

Still, though. This was a fun episode, and whilst it wasn’t quite at the same heights as the best of last series, it was a strong opener, that managed to balance most of its responsibilities reasonably well. Very much looking forward to next week’s episode! 7/10

(I actually found a set of deleted scenes online, which you can see here, here, and here. I think the episode would have improved a fair bit if they’d been kept it, so it’s a shame they were lost!)


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