Rose, there’s a man alive in the world who wasn’t alive before. An ordinary man: that’s the most important thing in creation. The whole world’s different because he’s alive!
I have a book. In fact, I have several. (Did you guess?)
The particular book in question, though, is called Doctor Who: The Shooting Scripts (2005). It’s a fantastic book, and it’s definitely worth picking up a copy. It’s a big, hardback book containing the shooting scripts for Christopher Eccleston’s series as the Doctor.
And as part of each script, there’s a little introduction by each of the writers. In his introduction, Paul Cornell writes that, for him, Doctor Who has always been about “big emotions”.
Well, he certainly managed that here.
This episode revolves around Rose and her family; she asks the Doctor to take her back to 1987, so she can be with her father when he dies. Already that’s a brilliant idea, and you can see all the different possibilities – it’s just begging to go wrong.
And, of course, go wrong it does.
Rather than just be with her father Pete as he dies, Rose averts his death. She changes her personal timeline in a big way. Her father lives – and she gets to know him. There’s no Back to the Future style fading away here – Rose stays, and deals with the immediate consequences, rather than ramifications further down the line.
Brilliantly, but perhaps also obviously, Pete isn’t anything like Rose expected. He’s not the idealised man in the idealised marriage that Jackie always told her about; Pete is fallible. More than that, he’s already failing. His marriage is strained, his business non-existent. Rose gets to know her father as he is, not as he was remembered. And that’s absolutely brilliant – it makes the whole thing feel a lot more real.
Shaun Dingwall, who plays Pete, gives an absolutely brilliant performance. He probably rivals Simon Pegg as best guest actor of the series; the relationship between him and Billie Piper is absolutely pitch perfect. Everything about it is absolutely right. The best scenes of the entire episode – and I’m sure this has been said again, but I’ll say it again – are those where Rose and Pete properly talk. Talk about the picnics and the bedtime stories, or about being bald… they’re very poignant moments, which are brilliantly written and performed.
The Doctor and the Reapers have a pretty interesting part of the story, though they’re not really the point of it all. Still, what’s Doctor Who without monsters? Christopher Eccleston gives another great performance here – I really liked his scenes with the soon-to-be-married couple. Very Doctor-y. His anger at Rose was also very well done.
So, in all, another great episode. The season is shaping up pretty well, isn’t it?
Nine Years of the Ninth Doctor Reviews
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