A slightly shorter installment this week – I’ve been out and about a bit more, and reading a book. (About television, obviously.)
Dragons’ Den (BBC Two)
I know, I know, but I love it, I don’t care. I love Evan Davies’ awful jokes, I love the aesthetic of their strange, loft conversion/abandoned warehouse board room, I love the daft pitches, I love the interplay between the Dragons and the moments it suddenly goes frosty, and I love watching the back and forth, insisting I could do better even though I don’t really understand any of what they’re talking about. (I mean, I realised the other day I don’t even understand how they exercise their controlling stake in the businesses – are the Dragons given, like, board seats? Voting rights? What?)
I know that this is basically not all that different from any other reality competition, just with a veneer of intellectualism (achieved through a more overt acknowledgement of capitalism? Is there maybe something to that?), but, again, I don’t care. I suppose this is my guilty pleasure TV show, but, again, I don’t care. Always watch it when it’s on, and I pretty much always have.
Elementary (CBS, Sky Witness)
What I’ve found interesting about this season – the seventh and final, a shortened run unexpectedly commissioned, all involved expecting the sixth season finale to be their last episode – is how reliant its been on callbacks to earlier episodes. Quite a few episodes have been structured around returning characters, albeit often rather more obscure, less significant ones – it’s a brief reappearance from a gangster Sherlock got a clue from three years back, as opposed to, you know, ‘the return of Moriarty’ or the like.
Not entirely sure what that says, admittedly – are they maybe creatively spent at this point? Maybe, but I’m not wholly convinced; I suspect it’s more likely that scripts were restructured to incorporate throwback characters once it became clear that Elementary would be back for a victory lap after what would’ve been an already perfect finale. Season 7 hasn’t, admittedly, been Elementary’s most original or innovative – but then, that’s never really been the appeal anyway.
Have I Got News for You (BBC One)
One of the cleverer things Years and Years did – but also, arguably, the most quintessentially Russell T Davies thing it did – was contextualising the rise of Emma Thompson’s right-wing populist very explicitly in terms of her television appearances. Specifically, Have I Got News for You. Couldn’t quite tell if Viv Rook’s appearance on the panel was filmed specially for the show, or if it was constructed out of archive footage – could quite easily be the latter. It’s a fairly unsubtle criticism of HIGNFY and all involved, after all.
Anyway. I’m not actually watching full episodes of the show – is it even on at the moment? No, I just can’t stop watching this clip of Boris Johnson, appearing on Have I Got News for You so long ago that Angus Deayton was still the permanent host. It’s been on my mind, for obvious reasons (as has the SNL episode Donald Trump hosted in late 2015) – feels so, so uncomfortable in hindsight. Well, “hindsight”, it’s hardly ancient history. But you know.
“You’re making Boris into a figure of fun!”, says Paul Merton. I wonder if they’ve ever felt responsible, even a little bit.
Liberal Democrats Conference (BBC Parliament)
I’ve been watching this with interest over the weekend – not exclusively, but certainly its taken up more of my time than near enough anything else. (And, probably, more than it deserved.) I’ve always tried to pay attention to what the Lib Dems are up to – I’ve lived in a Lib Dem constituency for my whole life, more or less, and for a time my local MP was the party leader.
Can’t say I was overly impressed, though, particularly with their handling of Phillip Lee’s defection; Alistair Carmichael’s speech about it was deeply patronising, I though, and Jo Swinson’s was much the same. (Huge respect for the party member who heckled her, though.) Bothered me enough that I emailed the new candidate for my constituency – if nothing else, in a Lib Dem/Tory marginal seat, there’s a high chance I’m gonna end up voting tactically here – to find out what she thought.
Stath Lets Flats (Channel 4)
I’d be very, very surprised if this didn’t make my top ten for 2019 at the end of the year – it’s one of my favourite things on at the moment, and absolutely one of the best comedies of the past few years. It’s a shame it hasn’t found quite the same scale of audience as Derry Girls – understandable, granted, but a shame nonetheless.
Succession (HBO, Sky Atlantic)
I was, I think, somewhat less enamoured by Tern Haven than most. Not, obviously, that I disliked it – Succession is still my favourite part of the week – but there was something a little frustrating about how it followed the previous episode. I’d be inclined to argue that the closing moments of Safe Room, that conversation between Kendall and Shiv, is one of the best (if not the best) scene from across the series as a whole so far… and yet it doesn’t seem to have been the pivotal, dynamic changing moment it first appeared. I’d have liked to have seen a little more follow up from that, I think; I’m sure it’ll be returned to in time, but for now, at least, I’m disappointed that it doesn’t seem to have informed the Kendall/Shiv relationship as much as I anticipated.
Anyway! That’s what I’ve been up to this week – also read (most of) Emily Nussbaum’s book, I Like to Watch, which I quite enjoyed. Thinking a little more about how exactly to make this work as a regular column type thing – maybe a running list of the best of the year? Recommendation of the week? Best of the month? What I’m most looking forward to for the next month? I don’t know exactly, still ironing out the kinks a little bit. But we’ll see.