Weekly Watchlist #9 (28th Oct – 3rd Nov)

Much more stuff this week!

Daybreak (Netflix)

This has really captivated me – very easy to dismiss as derivative (because, well, it absolutely is), but with just enough flourish to occasionally feel very inspired. Oddly, it’s not the most confident show – for every step it takes towards a new idea, it quickly hurries two steps back to comforting archetypes – but when it gets things right it absolutely soars. I’d struggle to recommend it wholeheartedly, but at the same time it’s clearly not a bad show: just one I wish was a little more willing to trust its best instincts.

Defending the Guilty (BBC Two)

It never quite managed to solve the flaw I highlighted a while ago – the lack of development for Will’s girlfriend – which becomes harder to ignore as the series concluded. At the same time, though, I still really enjoyed this: it’s funny and it’s moving, with a brilliant cast and a killer soundtrack. The ending invites a second series I’m not sure is wholly needed – but I really can’t wait for more.

House of Games (BBC Two)

I normally tend not to include all the quiz shows I watch in these listings, but I just wanted to note for posterity that I got an answer about Virginia Woolf very quickly this week, and I was very proud of myself.

That’s all.

In the Long Run (Sky One)

It’s easy to forget just how good a comic talent Idris Elba is, given his more high-profile outings tend towards the dramatic – even then, this loosely-autobiographical piece feels like it’s flown especially under the radar, not really making a huge impact on people’s impressions of Elba. (I’d bet more people know about his DJ work than this show. Actually, I’d bet more people would know him from Bond rumours than this show, and that’s probably never going to happen.)

That’s a shame – In the Long Run is a charming, funny little show, the sort of thing that I could very easily see being just as loved as Derry Girls or Stath Lets Flats if it too had found a home at Channel 4.

Motherland (BBC Two)

Admittedly, “I really can’t wait for more” is also exactly how I felt about Motherland’s first series; this year’s effort is much more easily written off. I could never quite put my finger on what changed – and maybe if I went back and rewatched the first series, I’d be disappointed by that as well. Either way, it’s been a disappointing year

Riverdale (Netflix)

Halloween is absolutely the best time of year for Riverdale. Wait a few months and I’ll say the same about Christmas, though – this is a show that really thrives on excess and exaggeration, so the heightened nature of any holiday always makes for an especially fun instalment of Riverdale nonsense.

Superstore & The Good Place (NBC, Netflix)

Doing these ones together, because I remain of basically the same mind about each – Superstore is just about recovering from a rough start, while The Good Place continues to tread water, increasingly prompting me to realise again (as is the case with every new season of The Good Place) that I just don’t love it. Both these shows might end up bumped from the weekly watchlist – I’ll still keep on top of them, of course, but I’m definitely not going to have something new to say about them each week.

Favourite show of October: I suspect ‘favourite’ is probably the wrong word here – I’d want to very heavily caveat it in this instance – but Daybreak is undeniably the show that’s made the most impression on me, and I suspect the one I’ll be thinking about longest.

Best new show of October: Again, I think it has to be Daybreak.

Most looking forward to in November: Lot of possibilities here – I have high hopes for His Dark Materials, some measured interest in a few of the Apple+ shows, and I haven’t quite got around to Watchmen yet so we’ll call that a November show – but it’s hard not to choose The End of the F***ing World series 2. Absolutely loved the first series, and really curious to see how Jessica Barden fills the role of the lead.

You can look at other Weekly Watchlists here. If you liked this article and you want to support what I do, you can leave a tip over on ko-fi, or back my Patreon here.

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Weekly Watchlist #8 (21st Oct – 27th Oct)

I watched very little this week. But I was doing real work! So that’s got to count for something, I hope.

Fleabag (BBC Three)

Just the one episode, from the first series, because I was channel hopping, and it was on. Hugh Dennis gives such a subtle, moving performance in this; it’s surely the best work of his career, certainly not something you’d think he was capable of from Mock the Week. But the closing moments of that fourth episode, the one I watched this week? He’s sublime.

Riverdale (Netflix)

Riverdale is very easy to criticise – and, in fairness, deserves a lot of the criticism it gets – but I will always maintain that it’s actually a much better show than its reputation suggests. Structurally, it’s a marvel; I’m convinced that Riverdale is one of the most attentively, acutely paced programs on television at the moment. I really believe that!

Superstore (NBC)

I can’t help but feel like Superstore’s solution to keep Matteo in the store after last year’s ICE cliffhanger is a bit contrived – although, equally, I wouldn’t have wanted them to lose Nico Santos, whose always been one of the best parts of the show. I’m interested to see what Matteo’s plotline will look like across the rest of the year; so far it hasn’t quite lived up to the weight of expectation created at the end of season 4, but hopefully that’ll change going forward.

The Circle (Channel 4)

I still haven’t actually caught up on this – in fact, I got spoilers for who won when I was putting together the last weekly watchlist. (Whoops.) Again, though, I’m inclined to stick with it. I sort of wish it would get a bit more popular, so there would be more writing on it – I’m convinced that someone better versed in the history of reality television would have quite an interesting take on it.

The Good Place (Netflix)

After I complained last week about the memory wipes, this episode opened with a quick joke about restoring Jason’s memories. That, I think, is probably the best I’m ever gonna get – and I don’t think I’ll ever really be entirely pleased with that.

But, yes, quite a few things missing this week. Keep managing to miss Watchmen, which is a nuisance, because I’m really curious about that. And I missed The Accident, too; I mostly enjoyed Kiri, so I was keen to check that out, but a lot of the reviews have been less than encouraging.

Tell you what, though, I’m increasingly becoming more and more conscious of just how much television there is. Which is a bit of an obvious thing to say, but I was quite struck by the fact that this week, a friend of mine started watching and in turn heavily recommending Daybreak – a new Netflix show that debuted this week, and I hadn’t even heard of until he mentioned it. There’s a lot going on there, of course, and part of that is down to Netflix’s advertising – but equally, this isn’t a small show! It’s got Matthew Broderick in it, it’s based on what are apparently relatively popular comic books!

But we’re at the point where there’s so much television that even I, someone who ostensibly watches television for a living, hadn’t heard of this show. Which is an odd thing to confront, I suppose.

You can look at other Weekly Watchlists here. If you liked this article and you want to support what I do, you can leave a tip over on ko-fi, or back my Patreon here.

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