You always have to be conscious of your audience and considerate of your audience, but you’re not working to satisfy your audience, you’re working to satisfy and fulfill the creation of real characters. Ultimately in doing your job, you help your audience to feel the characters are grounded and real, identifiable. The opposite of that is I’ve never worked with an actor who I think had so identifiable a role before that I was trying to push away from, which was your original question about Rupert. Kind of an amazing challenge! It was just fun to think about that element when designing his costumes too.
New interview! I spoke to Caroline Duncan, costume designer (it amuses me that her initials match her job description, although we didn’t talk about that at the time) on Apple TV+’s Servant, as well as Showtime’s The Affair, and also Netflix’s When They See Us.
Particularly interesting – or I thought so anyway – was talking about how she used costuming to reflect similar plot points, the death of a child, across two very different programmes, and discussing how she approached the costumes for Rupert Grint, given that he, as an actor, carries with him certain associations other actors don’t.