Michael B. Jordan and Jamie Foxx on Just Mercy, coping during an emotionally intense filming process, and more

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Having that resource there – a real person that’s actually there, that I can call on and text and be able to ask for help [if I was feeling] lost or confused about anything, somebody that I could really lean on throughout this process to make sure we got it right? I think that was really, really important. [Bryan Stevenson] was involved with the script development, he was along for the entire process – I feel like it was a huge benefit, having Brian around.

This one was very exciting! I spoke to Michael B Jordan and Jamie Foxx about Just Mercy, their legal drama based on a true story. It’s a great film, definitely worth a watch, and it was great to talk to them too. Both very polite, which is always nice.

Busy week for me, actually, this stretch in the middle of January. Three of my most high-profile interviews, all squeezed into a fairly short space of time. Not bad! Not bad at all.

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Isa Briones and Jonathan Del Arco on Star Trek: Picard, their characters Dahj and Hugh, and more

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As Isa says, though, it’s not every day you become part of something already so well-established. But with that must come some sort of trepidation – especially so early in her career, knowing this might well become her defining role?

“When you haven’t done much you will take any role that’s given to you,” laughs Isa Briones. “But I also didn’t know what this role was going to be. I was just auditioning and I was told it was Star Trek. I wasn’t really told that she was going to be this involved until the last call back. It really was a lesson, like, you’d never know how life is going to turn out and timing is everything… I always just cite my father. My father has been in the business a while, working his ass off for so long, but he finally started getting known at 50 years old. Now this is happening for me at 20, so anything is possible at any time. You roll with the punches, you take what comes your way.”

“She’s also an incredibly confident actor and performer, a great singer as well,” says Jonathan Del Arco, praising his co-star. “You always seem incredibly competent to me, from the day I met you. I think you were born for the part.”

The third of four Star Trek interviews! Isa Briones and Jonathan Del Arco were both absolutely wonderful – really just genuinely quite fun to be around.

Interviewing Isa in particular was a little bit of an odd experience, because it was the first time I’ve ever been older than the person I was interviewing. Which obviously is not actually that significant, but it threw me for a loop a little bit.

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Michelle Hurd, Harry Treadaway and Evan Evagora on Star Trek: Picard, working with Patrick Stewart and Jonathan Frakes, and more

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“I’m just trying to work out whether I’m allowed to say what I think I’m allowed to say,” paused Harry Treadaway.

We’ve asked the assembled actors if they can tell us a little bit about their characters. So far, the answer has mostly been yes: Michelle Hurd explained that her character, Raffi, “has a very complicated relationship with the Federation. Very strained. She worked with Picard back in the day after Next Generation, and they had a bit of a falling out”. Evan Evagora, meanwhile, described his character Elnor as “a young Romulan boy who’s an expert in hand to hand combat. He’s pretty good with a sword as well, and he was raised in an all-female sect of warrior nuns”. Elnor is an orphan and a refugee; Raffi is haunted by decisions she’s made in the past, both of their lives changed radically by the destruction of Romulus.

But Harry Treadaway is having a slightly harder time telling us anything at all about his character. The three of them confer for a moment, whispering to each other so we can’t hear.

The second of four Star Trek: Picard themed interviews – this time with new cast members Michelle Hurd, Harry Treadaway and Evan Evagora!

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Sir Patrick Stewart and Jeri Ryan on Star Trek: Picard, how the new series addresses the present, and more

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Captain Jean-Luc Picard is here. Not only in a new Star Trek television series, but he’s also sitting just across the table from me.

There’s something a little surreal about that. Technically, yes, it’s actually Patrick Stewart who’s sitting here in front of me – but in all ways except literal, Captain Picard is in the room, and we’re all captivated.

It’s not the sort of thing you ever really think is going to happen, and it’s clear Patrick Stewart didn’t expect to be here either.

“For many years, any suggestion that I might revive Picard,” he explains, “I passed on immediately, straight away, without hesitation. Not because I wasn’t proud of what we did on Next Generation. I was, and I loved all the people that I worked with very, very much. But I thought I had said and done everything that could be said and done about Jean-Luc and the Enterprise and his relationship with the crew and so forth.”

Which, well, makes a lot of sense. There’s a version of Star Trek: Picard out there – a half-written script on someone’s hard drive, a forum comment, the whisper of a dream – where nothing has really changed. Captain Picard, on the Enterprise (the Enterprise-F this time, of course), boldly going where no one has gone before. But we’ve seen that: we’ve seen a hundred and seventy-eight episodes of it, and they were often wonderful, but all good things must come to an end.

Except, of course, here we are.

So! This was very exciting!

The day after going to the London premiere of Star Trek: Picard in Leicester Square, I had perhaps the most personally exciting interview of my career: Sir Patrick Stewart! And Jeri Ryan! Captain Picard! And Seven of Nine!

Eventually, I suspect I’ll write more about the experience itself – I think perhaps there’s something interesting to be said about it – but for the moment, let’s just sit and enjoy quite how cool this is.

Patrick Stewart!

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Edward Norton on Motherless Brooklyn

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I think, had I made this film a long time ago, I might have had more of a commitment to the cynicism of the genre. Part of the benefit of me having a little more time with it, and the times we’re living in shifting and changing around us in certain ways, is that it gave me a real pause about the idea of being dark for darkness’ sake, you know? I didn’t want to communicate apathy or cynicism – I wanted to communicate that, when people encounter power and the dark things that power is doing, there’s a need to be heroic and act against it.

Not long after I finished this interview, I was suddenly struck by not only how extremely, extremely cool the things I get to do are, but also how intensely lucky I am to be able to do them. (I mean, there’s also a bit of hard work involved too, I suppose.) That was a really great feeling, just sitting and thinking about that for a moment.

Hope you all enjoy this, anyway – it was great to talk to Edward Norton about Motherless Brooklyn. It is, obviously, quite the passion project for him, a huge labour of love, so he was really engaged talking about it – which is always nice, as an interviewer!

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Gugu Mbatha-Raw on Motherless Brooklyn

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I always think you can’t really play a genre. You have to be grounded and real, and then the world – hopefully – is built around you. One of the things that I loved about Laura is exactly that: she’s not your classic femme fatale, she’s not a 50s housewife. She’s a layered, multifaceted human being, and you know we don’t often see that very often in female characters – and certainly female characters of colour in the 50s – so I just tried to bring as many emotional nuances to her as possible.

This is very exciting! Another in-person interview, and – crucially – my own on-screen debut! (Well, sort of, the Edward Norton interview was actually filmed first.)

I have no idea how the video is – I now suddenly understand why some actors never watch their own films, even the idea of watching this back feels too awkward – but I do remember Gugu being very lovely to talk to. (And myself getting a bit tongue-tied!)

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Aisling Franciosi and Sam Claflin on The Nightingale

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You should never see a scene of – well, any kind of violence, but in this case, sexual violence and not be made to feel uncomfortable. In my opinion, it’s filmed wrong if you don’t feel repulsed by it – there’s something wrong in the way that it’s been depicted.

This is a very exciting one! First-ever video interview. Not that you can actually see me in it, mind – I’m rather more suited to a radio career than television – but I was in the room, and they were filmed, so it counts. And it was a pretty cool experience generally, so that’s good.

I’ve linked directly to the YouTube video above, but there’s also a little bit of a write-up over at Flickering Myth, if you’re interested in that as well. It’s a good interview, I think – we only had a relatively short time together, but still managed to get to the heart of what’s proving to be quite a challenging film. (I’ll have my own review of The Nightingale up in a few days – it’s certainly quite a striking film, if nothing else.)

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John Wesley Shipp and director Andrew Lyman-Clarke on the chilling true story that inspired their new film Night Sweats, what art really is, and more

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We came to the revelation that art is simply communication. It’s basically somebody creating something in whatever medium, and that is a product that is put out into the world with the intent of communicating something to others. People who will see it or hear it or experience it in some way.

I definitely still believe that. I mean, I’m an open-minded person, I’m open to other definitions of art. But the way that I approach it is that I am creating something and putting it out into the world with a “message” for others to see and to think about and to chew on. I think that’s the value of it.

I think there’s ways of looking at art and movies and stuff that are a little bit more cynical or jaded, where there isn’t really a purpose of communicating something. It’s just to pass the time or something. I’m not really with that. I’m all about trying to say something, especially when you spend nine years working on something and you pour your heart and soul into it. I wanted it to have some kind of meaning.

Another interview I did recently! John Wesley Shipp you possibly might recognise from The Flash; he’s starring in this film by Andrew Lyman-Clarke, who’s been working on Night Sweats – his debut feature – for nearly a decade now.

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Joseph Quinn on Catherine the Great, Philip Seymour Hoffman, and more

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I also think the timelessness of the human condition is quite interesting for the viewer – seeing people in different times and in different environments that are foreign to ours, still going through the same shit that we go through. People get jealous, people get angry, people get depressed, all these things that are attached to what it is to be human.

I think maybe there’s some kind of comfort there [in seeing that] or definitely a kind of fascination. We do [historical drama] better than any other country, I’d say, because we’ve got such a rich history. There’s definitely a need for [historical drama] and I think that we keep turning them out, but I think we’re doing it and doing it well.

Joseph Quinn! Took a little while to arrange this one, but Joseph was great to talk to when we eventually got around to doing the interview – very polite, which is always a plus, and some great answers too. He, I suspect, is going to have quite a long and interesting career ahead of him.

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Michael James Shaw on Avengers: Infinity War, his character Corvus Glaive, and more

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Part of the trick of playing a villain is finding the love in the character’s journey, and not playing ‘evil’, you know? With Corvus, there’s a strong connection to Proxima, but also he betrayed his people to work with Thanos. I created my own little history about why he’s looking for redemption with Thanos, and searching for retribution through his work with him. I find it kinda helpful to create that backstory.

As I’m talking to you, I’m also watching Ancient Aliens on the History Channel – there’s a history that may not be in the history books, but of what it means to be an alien. [It’s] outside our normal viewpoint, just to have a different level of consciousness. That opened up my imagination about what their world could possibly be like, and how they communicate on multiple levels – whether it be through actual English, or through clicking, or whatever. It just let me go wild – there were no limitations in terms of how he moved and how he expressed himself, you know?

My interview with Michael James Shaw! We spoke about Avengers, Constantine, and his upcoming show Blood and Treasure.

There are no spoilers for Infinity War in the interview, or very very light spoilers if you want to go in completely blind. I’d not seen the film myself when we conducted the interview – it actually hadn’t even been released yet. There was a still a week or two to go if I remember correctly.

What was interesting about this interview, actually, was that when I conducted it Michael’s identity as the actor playing Corvus was still being kept secret – to the point that, when it was being arranged, I wasn’t actually initially told it was going to be him. At first, he was just referred to as the Corvus Glaive actor (admittedly I had a hunch it was going to be Michael, because one of the things they did tell me was that the actor had previously been in Constantine, and Michael struck me as most likely of the cast to be Corvus).

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