Film Review | Agatha Christie’s Crooked House (2017)

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What’s notable about Crooked House amongst Christie’s oeuvre, however, is that the story has never been adapted for the screen – until now. This means that all the hallmarks and idiosyncrasies that define Christie’s work, the ones that we’ve become so familiar with, here feel slightly different. The stately home, the eccentric family, the mystery and intrigue – it all feels slightly subverted here, in fresh and unexpected ways. Indeed, the way the case unfolds is difficult to anticipate, keeping the audience in suspense to the last possible moment.

Here is a film review. A film review written by me, no less! Admittedly that’s probably exactly what you’ve come to expect on this here website of mine, but hey, sometimes it’s good to be specific.

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Director Mark Gill on his Morrissey biopic England is Mine, his creative influences, and more

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We all present an idealised version of ourselves. It came from the fact that, I think I once heard Morrissey say, that he never performs on stage, he just is himself, and it’s the only time he can ever be himself. So, I wondered, does he mean that we never see Steven? I just feel that everybody presents a version of themselves, and I think with him it is just highlighted, because of his personality and then his status. 

I think, with anybody, anybody has that front. You see some of the most arrogant people you would probably meet in your life and probably underneath they are probably the most insecure. You often wonder, how do we all survive? We all try things out in our teens and I think he just found something that he was comfortable with and I think, his mum may have had something to do with that. She’s a very strong, perceptive woman.

I spoke with Mark Gill recently, about his new film England is Mine. I really enjoyed talking to this charming man.

Heaven knows, though, he… no, I don’t actually know enough Smiths songs to carry that on. Anyway, yeah, this was a neat interview. Probably the most notable question, mind you, is where I ask Mark why he thinks Morrissey is considered such a quintessential British figure – or, at least, quintessential to the point that’s how he’s described on his Wikipedia page – and Mark seems to think I’m asking why Morrissey is such a screaming racist these days. Mild awkwardness ensues.

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