Following a group of students at Coal Hill school, Class was Doctor Who’s third spin-off since its 2005 revival. With a celebrated young adult author at the helm, Class was a series in the same vein as Buffy the Vampire Slayer, always bursting with ideas and deeply invested in its characters. After the success of The Sarah Jane Adventures and Torchwood, Class seemed set to reach similar heights – until it didn’t.
Five years since the show was first released on October 22nd 2016, creator Patrick Ness, director Ed Bazalgette, and stars Greg Austin, Sophie Hopkins, and Jordan Renzo look back on Class – reflecting on its complicated relationship with Doctor Who, their experiences making the show, its untimely cancellation, and the series two episodes we never saw.
My latest piece for Radio Times, and one I’m personally very excited about: a fifth anniversary retrospective for the Doctor Who spinoff Class, including a number of never before revealed behind the scenes production details about both the show’s early development and its unrealised second series, from the BBC’s suggestion it might star Frank Skinner to just what Patrick Ness had in mind for the Weeping Angel civil war.
Class was one of the first series I wrote about professionally, many years ago; I was very fond of the show back then, to the point that when I was writing this article, trying to cite the claim it was a well-received show, I just kept running into my own old reviews. Made me laugh, that.
I’m still fond of it now: I rewatched the first episode, For Tonight We Might Die, as part of my preparation for this piece, and I loved it. Certainly, it’s not without its problems, little details here and there that I’m inclined to criticise, but on the whole I loved it – to me it felt like a show full of ideas and bursting with energy. In fact, I’d love it if the Chibnall era of Doctor Who was a little bit more like Class.
Somewhere in this show there’s the first draft of the future, I think. Or a future, anyway.