Stay Close is exactly what you’d expect, nothing more or less

Cush Jumbo as Megan Pierce in Harlan Coben's Stay Close. She's wearing a green jumper, using a knife to cut some rope, and looking worried.

As is often the case with crime thrillers like this, Stay Close is about a group of people haunted by their past – a past that’s come rushing forward into the present, threatening to disrupt their comfortable if stagnant suburban lives. Megan Pierce (Cush Jumbo) is a mother of three who reinvented herself seventeen years ago; Mike Broome (James Nesbitt) is a burned-out detective still obsessed with a seventeen-year-old cold-case; Ray Levine (Richard Armitage) is a struggling photographer still reeling from the disappearance of his girlfriend seventeen years earlier. The characters’ lives are, as you’d expect, intertwined, and Stay Close weaves a complex plot as it moves from one thread of its story to the next.

At its most basic level, Stay Close is very watchable. It feels designed to be binged, one episode leading into the next – it’s compelling in the sort of way that makes you want to keep going with it, if not necessarily compelling in the sort of way that you’d remember it in much detail a few months down the line. It’s atmospheric and suspenseful, often tense and dramatic, never quite addictive but certainly gripping: if you liked Safe, you’ll very likely enjoy this too. 

I’ve reviewed the new Harlan Coben Netflix adaptation. It’s pretty much exactly what you’d imagine it to be (albeit with one exception, discussed in the above review) – if you like this sort of thing, it’s worth a watch, but if not, it won’t do much to change your mind about them.

You can find more of my writing about television here, and follow me on twitter @morelandwriter.

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