From an instrumental point of view, I wanted to connect it to our previous stories. So, the use of the flute at the beginning and in the end is inspired by Jean-Luc Picard playing the Ressikan flute in The Inner Light. That’s really the only true connection to a musical instrument in the show that I can remember in The Next Generation – other than Riker playing a trombone! It was like, “Let’s not use a trombone. We don’t need to use a trombone.” For one thing, it’s not Star Trek: Riker, and it’s not Riker’s story, so it didn’t strike me as something that would be meaningful. The flute seemed really meaningful to how Picard’s life had progressed.
A recent conversation with Jeff Russo, who was both very nice and very enthusiastic about Star Trek. Lots of interesting, thoughtful comments about how you approach the score for something like Picard – and, actually, how that’s subtly but significantly different from how you approach the score for Discovery. (Which, thinking about it, would probably have been a better thing to reference in the title there – my typically suppressed clickbait instincts got the better of me this time.)
Incidentally, this very nice picture of Jeff is one I borrowed from his website, and in turn which he took from Scoring Sessions, a website I’ve only just now come across but is clearly a phenomenal resource. I think the original photo credit, in this case, goes to Dan Goldwasser, the Editor-in-Chief of Scoring Sessions.