Aisling Francoisi and Sam Claflin on The Nightingale

sam claflin aisling francoisi the nightingale interview jennifer kent alex moreland

You should never see a scene of – well, any kind of violence, but in this case, sexual violence and not be made to feel uncomfortable. In my opinion, it’s filmed wrong if you don’t feel repulsed by it – there’s something wrong in the way that it’s been depicted.

This is a very exciting one! First-ever video interview. Not that you can actually see me in it, mind – I’m rather more suited to a radio career than television – but I was in the room, and they were filmed, so it counts. And it was a pretty cool experience generally, so that’s good.

I’ve linked directly to the YouTube video above, but there’s also a little bit of a write-up over at Flickering Myth, if you’re interested in that as well. It’s a good interview, I think – we only had a relatively short time together, but still managed to get to the heart of what’s proving to be quite a challenging film. (I’ll have my own review of The Nightingale up in a few days – it’s certainly quite a striking film, if nothing else.)

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Composer Kurt Farquhar on Black Lightning, the evolving sound of an ongoing series, and more

kurt farquhar black lightning season 3 soul train own the neighbourhood interview

We’ve had to change and alter things to be a little bit darker, a little bit edgier. There’s a lot of solo violin and cello, string quartets and things like that, mixed with some urban ethnic sounds and a lot of interesting samples. We’re just making up some shit, we’ll see! But it’s been pretty exciting. It’s a very interesting season, trying to figure out where they’re going. I personally have not been watching ahead – I watch an episode when I get it, when it’s ready for me, that’s when I look at it. I don’t look at any of it earlier, because I just want to be discovering this like the fans are, I want to be so close to my emotions so that the only difference between me and the fans is that I get to emotionally erupt onto the musical palette, you know? Like “oh my God, that was so cool!”

Another interview! This time with Kurt Farquhar, who’s the composer on Black Lightning – and lots of other things too, actually, because he hasn’t worked on fewer than five shows at once since 1991.

It was also quite interesting to hear about Kurt’s plan to start suggesting producers hire other, new composers instead of him – helping composers who are just starting out get more established. That’s pretty cool, I thought. Read more at the link, as per the norm.

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