This death is at the heart of Trauma; as a programme, it’s fascinated by death and its impact, depicting an almost eschatological collapse of the status quo. This manifests through Trauma’s examination of both Dan Bowker (John Simm) and Jon Allerton (Adrian Lester), as parent and surgeon are forced to confront this death and how it changes them. There’s a compelling bond between them, as a grieving man latches onto the last human face who told him everything would be okay, the relationship quickly deteriorating as he searches for someone to blame.
In a sense, certain similarities can be drawn between this and writer Mike Bartlett’s previous work on Doctor Foster, another drama focused on a spiralling disintegration of its lead character’s life; what sets Trauma apart, however, is how dedicated it is to exploring dual perspectives. There’s a real nuance and subtlety to Trauma, a measured approach to character work that doesn’t betray any of the ambiguity it allows.
In hindsight, that’s quite the pretentious title. But hey. I was pretty pleased with the article in the end. There’s one bit that isn’t quite right – a line of analysis that I don’t think exactly goes anywhere – but on the whole, a largely good article.
I really loved this show, and I was quite surprised to find that it wasn’t super well received generally. The explanation, as ever, is that I was right and they were all wrong. (More seriously, I think that a lot of the reason why people didn’t respond to this show so well is that they didn’t quite get why John Simm’s character became so fixated on Adrian Lester’s – admittedly, you can then argue about how well the show justified that, but still.)