It’s not difficult to argue that, in any drama about the apocalypse, the reaction to this knowledge and its effect on society is one of the most interesting things that could be explored. However, Hard Sun largely opts not to explore this part of its premise. Indeed, for the most part, the apocalypse is something of an afterthought as the drama instead retreats to the well-worn hallmarks of a police procedural. With episodes focused on serial killers and kidnappings, the end of the world isn’t so much a focal point but a background detail to add texture; it’s a concept that’s broadly gestured at, rather than a theme that’s interrogated particularly.
For the most part, Hard Sun was frustrating, and ultimately quite dull. It’s a shame, really, because I was really rooting for this show; the concept seemed fascinating, and Aisling Bea was in it, and I think she’s great. Unfortunately, though, Hard Sun wasn’t much of anything in the end. The above review is, to be honest, only really one line of criticism that could be applied to the show – it’s a very particular sort of grim detective show, with all the tropes and pitfalls that tends to entail.
I think it’s going to be on Hulu soon – US viewers, I say don’t bother. UK viewers who haven’t seen it yet, also don’t bother.