Thematically, however, the series was weak; it gestured at larger ideas, broaching the topics of race and the role of the media, but was constrained in its interrogation of these ideas. Such concepts are a recurring thread across Kiri, but they’re generally left unexamined – a background presence, rather than the focus of any particularly sharp or incisive commentary. Writer Jack Thorne spoke about how he wanted the drama to “pose questions” rather than answer them necessarily, noting that he “always likes things where [he doesn’t] know the answer”. There’s a value to this, of course – and, indeed, a sense to it. Many of the ideas Kiri touches on are complex, lacking easy answers, yet there’s a feeling as well that the series just doesn’t entirely try to get to grips with them. Much of the complexity and nuance surrounding these concepts is acknowledged, but unexplored; there’s a lack of any real scrutiny to Kiri.
I liked Kiri, but also I kinda didn’t. Nuance! I’m not sure I got this article quite right, admittedly, but also I kinda did. More nuance!
Tell you what is odd, though – this was on Hulu in America, and went out under the National Treasure title, which was the title of one of Jack Thorne’s shows the year before. The two were pretty much unrelated, as far as I know, so that was an odd matchup.