The escapist fantasy is based on a slavish adherence to the idiosyncrasies of the original, yes – but, crucially, an unthinking and uncritical adherence, without acknowledgement of the flaws inherent to the premise. It’s the same fundamental mentality that prompts outrage and fury at the inclusion of women or people of colour in Star Trek, Star Wars, or Doctor Who; the impulse to curate rather than create, the desire to maintain a static and staid world. Shaped around the ego of a single white man, this is of course a world that equates foreign with alien, dehumanises people of colour, and never lives up the ethos and code of conduct it claims to assert.
USS Callister continues to advance its metaphor, though, and in turn posits a solution of its own. And, in turn, of course said solution comes from a woman.
A piece about Black Mirror I was quite pleased with. (So pleased with it, in fact, I put it into my portfolio, if that’s something you’re going to want to check out.)
Something I didn’t mention at the time, but find interesting, is the fact that this episode is about exorcising toxic masculinity, and then the subsequent five episodes are all very female-oriented. You can see how the order of the anthology shapes the broader meaning of the series, which is neat.
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