Babylon Berlin recently finished its first season, and was absolutely stunning from start to finish. It’s a complex paranoia thriller, a noir mystery set against the backdrop of political intrigue, police corruption and revolutionary fervour – drawing each of its threads together into a compelling and skilfully executed larger story. The series carries itself with a certain confidence, and it’s an entirely deserved one.
There’s something almost relentless about Babylon Berlin – not in terms of pace, where the show is considered and measured, but rather in its zeal and dynamic. At times it’s positively electric, centred as it is at the eye of the storm at a time when the world is changing. With its focus on rising extremism from both sides of the political spectrum, Babylon Berlin depicts a way of life the audience knows will soon be cut short – something that adds to the current of urgency that underpins the series.
I absolutely loved Babylon Berlin – it was one of my favourite shows of 2017, and I think the close of the second episode is probably one of the best TV moments ever. Genuinely, it was like I was in a trance state watching that.
I’ve not yet had the chance to watch the second series – it’s sitting taking up space on the television planner right now – but I’m massively, massively looking forward to getting around to it eventually.
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