As an exploration of the Punisher’s morality, the series is admittedly somewhat lacking. The villains of the piece reflect the same ideology as Frank; both the larger military-industrial machine willing to commit war crimes and an individual lone gunman who believes the end justifies the means, the antagonists of this series are Frank’s equal and opposite. And yet while the series deliberates, it’s unwilling to truly grapple with the question of what separates them – ultimately, the only thing that makes one a hero and the other a villain is who the series is named after.
Despite this, though, The Punisher is able to find a degree of depth elsewhere. Encouragingly, it avoids fetishizing violence particularly, wallowing not in a hail of bullets and gunfire but taking the time to indulge in slower, character-focused scenes. Jon Bernthal’s performance is key to this, anchoring the material as he elevates it; often the more compelling aspects of the series are the moments when Bernthal is allowed to move beyond the militaristic posturing and show a certain vulnerability to his character.
In hindsight, I wonder if I was actually too positive here – in my surprise that it wasn’t worse, I was maybe too forgiving of all the ways it was still pretty bad. Definitely, that line about fetishizing gun violence should have been way more heavily caveated.