Here, in fact, is where Gunpowder displays a penchant for subtle, intelligent choices. When in Catholic Spain seeking help with his plot, Catesby sees the Spanish authorities burning a Jewish man at the stake – a mirror of the Catholic priest hanged as the drama began. In creating that parallel, Gunpowder makes it obvious that this isn’t a case of good against evil, rather the powerless against those with authority. Director J Blakesonemphasises that again as the drama ends, juxtaposing a gold necklace presented to spymaster Lord Cecil with the noose placed around the necks of the plotters – it’s about power rather than morality. If Gunpowder can be said to be on the side of the Catholic plotters, it’s not because they are Catholic.
I was mostly pleased with this article. Not super sure about the title in hindsight though.