Arrow, from the beginning, was always about the personal lives of its characters. Yes, there’s the obvious angle of the love triangle between Oliver, Tommy and Laurel – but it’s not as though Oliver’s mission wasn’t deeply personally motivated, or inextricably tied to the affairs of his father. That’s demonstrably a soap opera plot, right from the beginning!
Superheroes keep secrets, living double lives, and hiding parts of themselves from those around them that they love. That can surely be considered a soap opera story, no? And surely no one would ever argue that these superhero TV programmes don’t rely on sensationalised and exaggerated plotting – lest you forget, the Flash fought a race of sentient gorillas just a few weeks ago. Besides, everyone loves a good scenery chewing villain, and that’s the epitome of melodrama.
I always thought it was pretty ridiculous when people complained that Arrow was like a soap opera – as if they’d only just noticed? So here’s a post explaning how Arrow has always been a soap opera, but there’s nothing wrong with that.