There’s a biting satirical edge running throughout Veep, carried perfectly by Louis-Dreyfus; hers is a powerful and unrelenting performance, always perfectly pitched and with an expert understanding of exactly what will make a scene come alive. Of course, Louis-Dreyfus is lucky to be working alongside similarly talented co-stars – any of her scenes with Timothy Simons’ Jonah are a particular delight – but it’s always clear who the show revolves around, and who makes it work quite so well. It’s difficult to imagine Veep without Louis-Dreyfus, or who could have taken her place – it’s unlikely that there’s anyone else who could have made Selina Meyer such a wickedly funny character.
I love Veep. It’s one of my favourite comedies ever. And, featuring a drastically incompetent president, it feels somewhat relevant nowadays.