There are a million things in this universe you can have and a million things you can’t have. It’s no fun facing that, but that’s the way things are.
What becomes evident, even as early as this second episode, is how important the actors were to the success of Star Trek, particularly William Shatner. I must admit, I’ve always been a Picard guy (with a great deal of appreciation for Sisko, of course), but I’m absolutely starting to look at Kirk in a new light. Shatner does a great job portraying Kirk as a calm and easy going individual, but at the same time there’s a firm and assured sense of authority to him. He’s not really the immature, womanising scoundrel that pop culture seems to paint him as – or at least, not yet. Kirk has, thus far, come across as an entirely able Captain, and indeed quite a good one too.
I’m also growing quite fond of Dr McCoy, in no small part because of DeForest Kelly’s performance; he’s charming and charismatic, and it’s a pleasure to watch him on screen. You can clearly see the chemistry he shares with Kirk, we’re also starting to see some of that infamous banter between McCoy and Spock. Spock, incidentally, has long been a favourite character of mine, so it was nice to see him in a slightly expanded role, following on from last week.
It seems to me, then – and I imagine I’ll be throwing out a lot of hypotheses like this over the coming weeks – that part of the reason for the longevity of Trek is these actors, and the life they imbued in their characters. Clearly, it’s still early days yet – we’re yet to properly see Scotty, for example – and certain aspects are still being worked out, but it does seem to me that this was a fairly important part in securing the future of the franchise.
Certainly, though, while I might point to the performances of our regular cast as being one of the reasons why Star Trek proved to last so long, I’m not all that convinced that anyone would be pointing to this episode in particular. The fact of the matter is that it’s… well, it’s not great. It’s okay, I guess, but while The Man Trap suggested a reasonably entertaining space navy television show, this was… just kinda meh.
The problem is most evident in terms of the pacing, I think. While the mysterious Charlie X is a decent hook, there isn’t really a lot being done with said hook; it becomes quite obvious to the audience quite early on that Charlie has mysterious powers – it’s heavily hinted as soon as he arrives, and confirmed not long after – so it’s not exactly accurate to say there’s a building tension across the episode. In a way, it’s almost frustrating that it takes the crew so long to cotton on to what we already know, and indeed somewhat aggravating that when they do find out, they don’t really do much about it. I found that particularly odd, actually, in light of the previous week – Kirk placed a lot of emphasis on protecting his crew, and was clearly quite angry about their deaths. That was, in the end, why he killed the Salt Vampire. Yet here his actions don’t quite seem consistent with that, as Charlie is making crewmen disappear (we don’t really get any confirmation as to whether or not the majority of them return, only Janice) and Kirk essentially just takes it all in his stride. You can fairly easily make the argument that he was just trying not to provoke Charlie, of course, but it remained just a little weird.
One thing I did appreciate, mind you, was Kirk’s talk to Charlie about love being a two-way street, and how it’s important to pay attention to what both parties want. It’s a pretty basic message, which should be obvious, but given the fact that it isn’t – even today – I was glad to see it there. That was far more in line with the progressive Trek I like to remember.
Other than that? Well, there were a few little things that stood out to me. I found the interactions between Spock and Uhura to be quite interesting, actually; I’ve always felt that the relationship between the pair in the new series movies was a tad superfluous, and more than a little out of nowhere. Watching these early episodes for the first time, though, and you can see that there may well have been more to the Spock/Uhura relationship in the original series than we tend to credit it with. Certainly, it was there in The Man Trap (albeit in something of an egregious manner) and here again you’ve got Uhura and Spock singing to one another. So, that was interesting to note.
I also want to just point out, by the way, that Kirk totally shouldn’t have won that game of Chess. He was, after all, in Check; any move he then makes would first require him to move out of Check. I suppose it’s possible for him to do that at the same time as checkmating Spock, but from looking at the pieces, that didn’t really seem to be the case. (Then again, I don’t really know much about 3D Chess.) I find it entertaining to think that Spock’s general exasperation wasn’t at losing, it was at Kirk getting it wrong – or perhaps at Kirk deliberately getting it wrong, so he could go away and leave Spock with Charlie!
Ultimately, this was… it was okay. The main crew were decent; Charlie far less so. In terms of the actual plot, it was lacking, and I think it’d be quite easy to get bored if you’re not already invested in it to some extent. Certainly, I’d never show this to a friend in the hopes of getting them to appreciate Star Trek, because frankly it’s more likely to lead them to dismiss the show entirely.
But, you know. It’s fair enough to just have “okay” episodes.