Most of us live our lives devoid of cinematic moments.
Something of a departure from the norm for me here, given that this is a documentary, rather than a piece of fiction. (I say that, of course, but I’m working on reviews of another documentary and a biography at the minute, so perhaps this is just the new norm.)
This movie caught my attention not because I knew who Nora Ephron was – though I soon realised that I was actually reasonably familiar with her work – but rather because the documentary was one about a journalist and screenwriter. With the former ostensibly being my current “job”, and the latter my destined dream job, it seemed like this was a documentary that would be, at the very least, quite interesting to me.
Given that little preamble, I suppose I should point out now that you’re not necessarily going to be getting advice on how to become a writer, but rather a lot of insight into the life of this particular writer, and how she approached her work. The title, Everything is Copy, refers to the mantra of Ephron’s mother, who was a writer herself; it also comes to reflect, however, the manner in which much of Ephron’s best work was that which was personal to her. Indeed, the whole documentary is quite an intimate and personal affair, with close friends and family members musing on Ephron’s life and their relationship with her, following her death from leukaemia in 2012. That the movie is directed and presented by her son, Jacob Bernstein, only adds to the intimacy with which her life was viewed.
It becomes quite clear that Nora Ephron had quite an interesting life rather early on in the movie, as it tracks her career across its different stages, from her first job at the New York Post (which she got after writing a satirical piece criticising the paper which impressed the editor) to her final theatre play, which starred Tom Hanks as a journalist himself. In a way, it’s quite circular; perhaps another manner in which everything is copy. Between these two events, though, Ephron had a long and distinguished career, with a host of articles, books, and movies to her name – including one of my favourite romcoms, You’ve Got Mail. (It’s really great.)
A series of different guests, with actors such as Tom Hanks, Meryl Streep, and Meg Ryan, to other collaborators such as Mike Nicholls, alongside Ephron’s sisters Delia, Amy, and Hallie, really help to flesh out the picture of Ephron that we get. It’s very clear how much of an impact she had on their lives; they were all clearly quite upset, in the way that one is when you’ve lost someone special.
What also became very clear, though, was how talented Ephron was as a writer. Across the film there are a series of excerpts from Ephron’s writing across the years, with Meg Ryan, Lena Dunham, and Reese Witherspoon all providing readings, and even Ephron herself in archive footage; it’s immediately evident how incisive and insightful Ephron could be, with a very strong voice, as well as being quite funny generally.
Ultimately, Everything is Copy is quite an engaging documentary, and I’d really recommend giving it a look if you’re interested in writing, or indeed the life of Nora Ephron. It’s a respectful yet fair historiography, which shines a light on the trials and tribulations of a genuinely fascinating – and genuinely talented – woman.