Part of being your own man is knowing when to ask for help.
So, here we are, on the second episode of CBS’ new Supergirl TV show, the brainchild of Ali Adler, Andrew Kreisberg and Greg Berlanti, who of course also work on the CW’s popular superhero shows, Arrow and The Flash.
I think because of this connection a lot of people were expecting something very similar to those previous shows – and admittedly, so far, there have been some noticeable similarities in terms of the basic format and set up and so on and so forth. But in this second episode, there was a noticeable departure from the precedent set by Arrow and The Flash, which I thought was pretty interesting.
In this episode, we’re introduced to Alura Zor-El, Kara’s aunt, and this season’s Big Bad – akin to Harrison Wells from The Flash, or Malcolm Merlyn’s Dark Archer in Arrow. Now, the character had been teased at the end of the pilot episode, but the assumption was that she’d remain in the shadows for a fair while longer before we actually saw her confronting Kara – an assumption that was shattered in this second episode.
Now, don’t get me wrong, this isn’t exactly revolutionary. I think for the most part we’re still going to be having a show which is akin to its predecessors in many ways. But this stood out to me, and it seemed worthy of comment, because it shows that Supergirl is willing to stand on its own, independent of the two shows it’s closest to. That’s a nice thing to know, and I’m glad of it; hopefully this show will be able to develop an independent identity of its own.
Similarly, actually, it occurs to me that this offers the show something of a departure from the standard Superman mythos; normally, a lot of the Krypton stuff is to do with Clark’s regret on missing out on an upbringing on his home planet, and wondering what it was like there. Kara, conversely, remembers Krypton – she lived there for almost half her life, essentially. It’s an interesting little detail that never really clicked for me before, and hopefully one that could be explored and developed to afford the program more depth – once again giving it a distinct identity of its own.
I was also quite fond of the approach that Supergirl is taking towards showing Kara’s development as a hero, and the learning curve she’s finding herself on. She’s clearly out there trying to do good things, with a lot of consideration for people, but she doesn’t quite know the full extent of her powers or exactly how to use them, so things don’t always go according to plan. Melissa Benoist does a pretty good job of showing Kara’s earnestness, but also her frustration at not quite being able to succeed.
Now, a benchmark that I’ve been comparing Supergirl to is Man of Steel, given that it’s the most recent iteration of the Superman mythos; it’s the current big screen adaptation, and the movie seems to have defined the approach towards DC movies for the foreseeable future. Also somewhat relevant: I hated Man of Steel. All the usual arguments against it, really, but one big thing that stood out to me (and is actually relevant right now) was quite how violent it was; the movie revelled in the destruction of Metropolis, reducing the whole city to a crater, without even the slightest indication that Superman gave a damn about collateral damage.
That’s an “artistic choice” often defended by the in-story reason that Superman was on a learning curve, and he didn’t know what he was doing, etc etc. “You try saving a city without damaging it a little”, that sort of thing. Supergirl has managed to resist that entirely – Kara is learning, yes, but the worst thing she ever does is cause an oil spill, rather than level an entire city like a bomb went off. Ahem.
Obviously, yes, I’m biased because I have the correct opinion about Man of Steel, and there are people who are wrong that might disagree with me. But – aside from Man of Steel – I’m really glad that, with Supergirl, we’re seeing a bright and positive show that is capable of depicting some of the difficulties you’d associate with superheroism without resorting to destruction porn.
The character interactions in this episode remained entertaining too, of course. Setting up Jimmy and Winn as Kara’s equivalent of Diggle and Felicity, or Caitlin and Cisco, is a nice touch, and the three characters work really well together – the montage of Kara finding different superhero work, as it were, and starting to turn the tide of the opinions against her, was a real standout moment in the episode. (Plus, they had a great inversion of the kitten stuck in a tree cliche, which they managed to turn into a great joke. I admit, I’d been hoping for a kitten in a tree at one point, but what we got was better.)
The DEO continued to be interesting, particularly with the revelation about Hank Henshaw: he’s an alien. Personally, I’m inclined to believe that – rather than being a villain – he’s the Martian Manhunter. It seems to make sense; he “used to” have a family, he’s knowledgeable about aliens, particularly Krypton, and he’s very conscious of the dangers posed by aliens. The glowing red eyes and apparent telepathy add to it, really. I’m definitely interested to see where that goes, because Martian Manhunter is a particular favourite of mine.
(Though having just googled it, actually, Hank Henshaw is a comics character who is a Superman/Green Lantern villain. So maybe that’s all just completely wrong on my part!)
I was quite pleased with this episode, actually. Supergirl started strong and has continued to be an impressive program, which I’m definitely enjoying. (I do think actually, in terms of my own subjective tastes, I might come to enjoy this more than The Flash or Arrow; at the minute, both of those come out on top because of my familiarity with the characters, but I think if Supergirl continues well, it may usurp some of the other DC shows!)